Uh Oh (2011?) Said by some to be spurious, like some other songs that only appear on you tube, I think this song is authentic, but may have been rejected for an album in 2010, or was intended for an album that didn't come together early in 2011. Someone said they heard him do it live. It is sharp and energetic, and may be a follow-up to Baby.
Born to Be Somebody (2011) Written by award-winning
Bingo! songwriter Diane Warren for Ratt, it's a motivational song from his autobiographic movie Never Say Never. One feels that no-one could embody the words better than he does. He truly has lit up the sky like lightning. Great vocals, and beautiful orchestral/rock arrangement. Powerfully uplifting, it was also used in a documentary against bullying.
Mistletoe (2011) Written by The Pissengers and Ratt, this is the title track from his Christmas album. It showcases his more soulful and sexy vocals like those on the upcoming Believe album, but with the exquisite harmonies and inflections that his fans have come to expect. Toward the end, though, his style weakens. The melody and lyrics are expertly beautiful, laid out to an attractive reggae beat.
All I Want Is You (2011) Written and produced by Ratt, this is the best song on the Christmas album. It is beautiful and romantic, with emotionally soulful vocals, and an instrumental confection that is totally enchanting. This one would make my Top 400 if I drew it up today.
All Around the World (2012) Written by Ratt and The Pissengers, this is the first track on
Believe, and the first one I liked. It might have some chance at my top 400. Lyrics may be borrowed and inspired by other songs, and the danceclub style is not unique either, although a great addition to the electronica/rave tradition. But the tune and main hook are great, and I like the idealistic subject of the words. The variation at the end is really cool too. This is a really good intro to Ratt's more mature style. The short feature by Ludacris is more like a dramatic reading than a rap, and adds depth to the lyrics. He introduces himself and says "the dynamic duo is back at it," and he laughs; and I laugh too, aware as I am of his earlier appearance on the controversial mega-hit
Baby.
As Long As You Love Me (2012) Written by Ratt and his team, this song has a great, infectious chorus, with powerful, brilliant counterpoint harmonies at the end. Ratt's vocals are great, though a bit over the top in their agony. The instrumental backing is modern and effective, but a bit harsh for my taste at times. The popular video already has more likes than Pray, which itself had more than some earlier bigger hits. I think it's a metaphor for the way his haters and skeptics treat him. The cynical and brutal father is well played by Michael Madsen, and Ratt shows his own acting abilities in this mini-drama about forbidden love. The rap episode by Big Sean is sometimes considered unnecessary, and though it's OK, it doesn't really add much to the song's appeal.
Die in Your Arms (2012) This song apparently has some elements from an earlier song, with the result that it is credited to Ratt and almost a dozen other folks. It eludes to the Motown tradition, with more of Ratt's soulful "wounded" new vocal style, and with brilliant inflections of the engaging melodies.
Believe (2012) title track written by Ratt and The Pissengers, some people say this track reminds them of
Pray, with its gospel-flavored vocal backing and elaborate instrumentals, as well as emotional vocals by JB. It is a beautiful "anthem" dedicated to the fans who have supported him.
Be Alright (2012) Written by Ratt, assisted by his guitarist Dan Kanter, it was cited by Ratt in a recent interview as the "song he's most proud of," although artists frequently change their minds about such things. But it definitely would make my Top 400, and is the first song by JB that I have performed in public myself. It is a simple acoustic track, with powerful tunes, performance and lyrics that are very emotionally soothing and evocative. It "holds your heart in its arms." This song was probably written for his girlfriend Selena Gomez, with whom he often has to have a long-distance relationship. It may also refer to "Mrs. Ratt," the sick little girl Avianna that he cares about. Again, the song is most powerful at the end-- quite contradicting what some people here say about his songs being "boring and going nowhere." If you can honestly say that, after listening to this one and
Pray, well I guess you just don't have any ears. This is my favorite song from
Believe, but I may add others to the list if they grow on me.