I've pointed out a few times that Northrop Frye's independently developed the basis for what I call a "Super Saeculum" (it wasn't his intention to do so, he simply was tracking what he saw as "literary cycles"--he managed to trace two--one in Ancient times and another in being founded with the foundation of Christianity) in terms of the evolution of literature, and that aligns mostly with the 500 year structure that Tim's talking about. Frye divides it into 5 distinct periods, but I can see two of his periods are similar enough to be construed as period part one and period part two.
Age of Myth
Think the basis of Greek Myths about Gods, Celtic Myths, Germanic Myths, etc. Frye throws in pure Christianity as what he calls the "all-consuming myth" as during the last age of myths after the fall of the Roman Empire it had to compete with many other myths eventually devouring them all.
Comic Myth = Origins of Hermes, how he tricked Apollo and joined Olympus
Tragic Myth = Death and Resurrection of Christ
Age of Romance
Think stories of heroes doing daring deeds from Hercules to King Arthur. The World of the Myth hasn't vanished completely though it's obvious that some time has indeed past.
Comic Romance = The Twelve Labors of Hercules
Tragic Romance = The Death of Beowulf
Age of Mimetic (Frye divides this into High and Low Mimetic each--Mimetic being a fancy term for Realism the way he uses it--well that's a simplification, but it gets the point across)
Stories about representing every day life for certain people. The world of the myth seems to increasingly vanish as we become more and more focused with depicting actual reality as we believe it to be.
High Mimetic is essentially stories about the lives of the upper classes, rulers, great leaders, etc. Calderon and Shakespeare belong to this era.
High Mimetic Comedy = As You Like It - an upperclass woman unites and restores the proper ruling class to power
High Mimetic Tragedy = Othello - a great general tragically falls due to his interracial marriage
Low Mimetic is essentially stories about the lives of the bourgeoisie, lower classes, and followers. Think Jane Austen or Charles Dickens.
Low Mimetic Comedy = Pride and Prejudice - bourgeoisie girl revitalizes stuffy upper class boy through marriage
Low Mimetic Tragedy = A Tale of Two Cities; bourgeoisie man sacrifices himself so upper class friend can live and marry
Age of Irony
Irony is essentially stories about how the old Myth no longer cuts it for our civilization and all the old stories are looked at through the tinge of irony, sarcasm, and cynicism. Mostly stories about sub-human or people of such a lowly stature they're considered beneath the lowest of the low, scapegoats, dystopian societies, stories about such a disintegrated society where there's next to no common values left, etc.
Ironic Comedy = Detective Story/Thriller (the only thing that binds a society together is punishing murderers and thieves as that's the only common value left in the society); Anything by Agatha Christie
Ironic Tragedy = Stories about how sacrifice and individuals aren't worth anything; Death of a Salesman, the whole point we're supposed to take from the play is that we're worth more dead than alive... think about how crappy a society has to be if an individual is worth more dead than alive? Kafka's Metamorphosis also belongs here.
~Chas'88
Last edited by Chas'88; 09-09-2013 at 02:36 PM.
"There have always been people who say: "The war will be over someday." I say there's no guarantee the war will ever be over. Naturally a brief intermission is conceivable. Maybe the war needs a breather, a war can even break its neck, so to speak. But the kings and emperors, not to mention the pope, will always come to its help in adversity. ON the whole, I'd say this war has very little to worry about, it'll live to a ripe old age."