Originally Posted by
Felix5
You're talking to someone who loves Baroque.
Elger is nice, I enjoyed his suite from Peter Pan, but I have trouble relating to romanticism. Vaughn Williams is much more known for his variations of traditional folk songs rather than his own work. Kind of a shame because a lot of it is very enjoyable in its own right. Tippett is modern and I'm always torn as to whether or not to consider this "classical," same thing with Malcolm Arnold and Robert Simpson. And Holst is wonderful but I find a lot of his work very much influenced by German romantic composers. Listen to a composer named Hans Rott and you'll hear a great deal of Holst in his work. He quoted a lot of Brahms and Wagner.
I really enjoy Cyril Scott, I think he's a forgotten composer and very refreshing to listen to.
Right. Greatest except perhaps for Thomas Tallis, who is obscure enough that his name fails my spell-check...
Maybe he shouldn't be so obscure.
Last edited by pbrower2a; 09-02-2015 at 10:46 AM.
The greatest evil is not now done in those sordid "dens of crime" (or) even in concentration camps and labour camps. In those we see its final result. But it is conceived and ordered... in clean, carpeted, warmed and well-lighted offices, by (those) who do not need to raise their voices. Hence, naturally enough, my symbol for Hell is something like the bureaucracy of a police state or the office of a thoroughly nasty business concern."
― C.S. Lewis, The Screwtape Letters