Originally Posted by
Semo '75
"Art at its most significant is a distant early warning system that can always be relied on to tell the old culture what is beginning to happen."
-- Marshall McLuhan
Superman, or more accurately Clark Kent, returned again in Smallville, part of the Fall 2001 line-up. Though the first episode debuted after the towers fell, it was planned and in production before Osama Bin Laden was a household name, and before the mood in America darkened considerably. The "new" Superman wasn't a superman at all -- the show's producers described the show's aesthetic as "No tights, no flights." Clark was re-imagined as an awkward and confused adolescent coming to grips not only with his rapidly approaching adulthood, but also with the incredible powers he was blessed --or possibly cursed-- with. (Needless to say, it was an instant hit among Millies.)
I could probably come up with some more examples (most notably The Fellowship of the Ring) but I think that's enough for the moment. Turnings are defined not by events, but by the public's perception of those events, and its response to them. I've said before that I believe popular culture is a kind of distorted reflection of popular attitudes*, which suggests that something was in the air in the very late '90s and early '00s that some of America's top writers, artists, and producers recognized and wanted to comment or capitalize on.
So I'm with Mike here, in that I think that a case can be made that the Fourth Turning was on its way as we entered the new Millenium. I've said before that I believe the arrival of a Fourth Turning would look and feel very different in real time, as it is lived be real people, than it does when we read paragraphs in history books.
For example, a number of sociologists and historians of the 1930s have pointed out that the unrest on college campuses during that period probably rivaled the turmoil on campuses in the '60s. Throughout the '30s, battles between unions and police were common -- even on the streets of major cities like San Francisco. Organized crime ran rampant in the big cities. The American public was transfixed by media circuses like the Cleveland "Torso" murders and the Lindbergh baby kidnapping. The Bonus Army marched on the nation's capital and was driven back by Patton and MacArthur. Huey Long led a Southern political populist insurgency. Wealthy businessmen approached retired Major General Smedley Butler to lead a coup against FDR. FDR himself, while popular, faced withering criticisms from both the Right and Left and many of the initiatives he proposed were shot down in Congress.
The line between the previous Third and Fourth Turnings was nowhere near as neat and clean as Strauss and Howe suggest, and many seem to believe. It was amorphous, ill-defined, and (to most Americans who lived through the period, at least) pretty much invisible.