It feels like 1957 to me. It may be the naivete of the small town at play here. It certainly isn't as Progressive as the show on NBC this year which is a sort of X-men for Everyman in which Xer-Millennial Cuspers and Millennials save the world in a Prophetic manner. Boomer (art done under the influence of soporifics, etc. -- I would hope that someone like the Great Meece or the Mr. Xenakis is weirdly mentoring these Millies) means for Millennial ends is at play in
Heroes.
The young in
Jericho are whinging Crowns of Creation as cyphers. One uses a Colt Revolver to shoot a cop/convict (can you get anymore 1950's than that?) that was so
Bonanza-- I like the change of the Celestial Hop-Sing into a differently abled 'Merican woman.
Both these shows are better than the aliens from space that invaded the Networks last fall.
Jericho seems a remembrance of the Crisis from the following High. It's a backward glance.
Heroes is a late Unravelling Progressive peering into the Coming Crisis, it's as multi-culti casted as
Jericho is an Aryan Nation. It's Red Zone in one and Blue Zone in the other. People in Jericho had actually been to church, but we didn't have to have that actually dumped into our media rooms as a visual.
On a personal note I like the fact that Bovine-Americans were put out of harm's way in
Jericho even though they didn't get any actual airtime.
Heroes had real Bovine-South Asians; but they were just local color.