On 2002-02-11 10:12, DMMcG wrote:
I have discovered in my own research what I have found to be an archetypical example of a spiritual struggle between fundamentalism and modernism in the Roman-American Catholic Church. This struggle can be documented from at least the Hohenzollern High ca. 1871-1893 to the present 9-11 Crisis ca. 2001-2019(?). During the culturally fundamentalist Hohenzollern High, modernism, though counter cultural, was alive and well in American Roman Catholicism. The most visible modernist Catholics in the American heirarchy were Irish-Anericans and included hero archetype James Cardinal Gibbons of Baltimore, founding genius of the Catholic University of America; hero archetype John Keane, the first rector of the Catholic University and later Archbishop of Dubuque, Iowa; and hero archetype John Ireland, Archbishop of St.Paul/Minneapolis, Minnesota and founder of the University of St. Thomas and St. Paul Seminary, trough the patronage of the Protestant railroad magnate and hero archetype James J. Hill. The Hohenzollern High was a heady time for American Catholic modernism. Robert Cross, in his 1958 book, "The Emergence of Liberal Catholicism in America," wrote about this phenomena, and most of the quotations below are taken from this source. It was a time when Archbishop Ireland would say that American Catholics could "go forward, in one hand bearing the book of Christian Truth, and in the other the Constitution of the United States." (Cross p.78) Of course, there is a direct spiritual connection between the presidency of John F. Kennedy, during the New Fontier High ca.1968-1946, and the counter-cultural modernist Catholic culture during the Hohenzollern High ca. 1871-1893. This modernist culture reached its apex on two specific occassions during the high. The first of these ocurred during the 1960 election when Kennedy spoke to a convention of Baptist Ministers in Dallas TX (coincidently the last time he was in that city before that fateful day in November 1963). At the beginning of his speech Kennedy remarked that he was the Democratic party's nominee for the presedency of the United States who happened to be Catholic (this is a far cry from the case of Joseph Lieberman who was chosen as the VP candidate largely because he was Jewish). Of course, the second occasion for a modernist apex during the "60's" was the Papacy of John XXIII and the convocation of the 2nd Vatican Council with its emphasis on eccumanism. The contemporary Catholic Church is currently experiencing a serious division between cultural modernism and counter cultural fundamentalism. At the heart of the dispute there are two men. The first of these is the fundamentalist artist arhetype, Joseph Cardinal Ratzinger, head of the Doctrine of the Faith in Rome and John-Paul II's right hand man, while the second is the modernist artist archetype Rembert Weakland, Archbishop of Milwaukee. The dispute has come to center on liturgy. In an interview in Paris, Ratzinger said that, "The great danger for liturgy today, as for catechesis, is that its cosmic dimension has become foreign to our individualistic culture." ( The Catholic Messinger Vol 120 #2 1/17/02 p.1) Ratzinger has called for a return to the ancient custom of directing Church altars toward the East (Orientation), as a "radical expression of the liturgy's cosmic dimension." (ibid.) The Cardinal spoke about how liturgical practices have varied widely since the 2nd Vatican Council which permitted a simplification of rites to make the Mass more accessable and allowed non-European Churches to adapt to local cultures. Archbishop Weakland has pointed out that Cardinal Ratzinger, has indicated his agreement with the notion that the reforms following Vatican II did not follow the "intent" of the council. Thus, according to the Cardinal, "reform of the reform" (ibid) is needed in order to establish a more authentic continuity with Catholic tradition. In effect, notes Archbishop Weakland, this means allowing a return of some pre-conciliar theological ideas. Modernist Weakland calls the movement led by fundamentalist Ratzinger "restorationism." Weakland argues that the real motive behind restorationism is to correct doctrinal errors that its supporters assert to have appeared in the Church since Vatican II because of new liturgical practices. The Milwaukee Archbishop cited two examples: 1) A perception that there has been a loss of belief in the "real presence" of Christ in the Eucharist and 2) a blurring of priestly identity. Of course, the modernist Weakland is the spirital descendant of the counter-cultural modernists Ireland, Gibbons and Keane of the Hohenzollern High. But these ancient modernists being counter culturalist in an age of cultural fundamentalism had theirown problems with Rome. As I said earlier the Hohenzollern High was a heady time for counter cultural modernism in the American Cathoic Church and 1893 marked its symbollic apex. 1893 was the year of Chicago's famous Columbian Exposition. It was a "World's Fair" designed to show the world how Chicago had risen phoenix-like out of the ashes of 1871 ( an icon that became part of the seal of the University of Chicago, also founded in 1893 by hero archetype Standard Oil magnate John D. Rockefeller). At the Fair, an important ecumenical religious meeting was held called the World Parliament of Religion. It was sponsored by the Unitarian Church and there were a number of Cathoics making presentations. Those Catholics in attendance represented the modernist counter cultural elements within the faith but, however, "at the Catholic meeting, presided over by Bishop Keane, speakers deplored Protestant missapprehensios that a meddling authoritarian clergy stood between a Catholic and his God. The Jesuit Father Thomas Sherman of St. Louis insisted that Catholicism enjoined every man to follow his own conscience. Even in those cases that it directly contradicted the instructions of the Pope." (Cross p. 67) But 1893 also marked the beginning of the end of culturally fundamentalist Rome's toleration of the conter culture modernists in the American Catholic Church. In that year, Archbishop Francesco Satolli was appointed Papal legate to the United States. This meant that the Pope would have more direct control over an American Church that was increasigly being viewed by the Vatican as heretical. In January 1899 the eighty year old prophet archetype Pope Leo XIII wrote a letter to modernist Cardinal Gibbons of Baltimore as "evidence of his good will." Central to this letter was Leo's condemnation of the "conviction that the Church, in order to convert outsiders, should be ready to modify its doctrines and disciplines to comport with the preferences of the age," and " the several errors he had mentioned," Leo said, "were grouped together and defended as "Americanism" by men who were, in effect, constructing a Catholicism far removed from the faith preserved in Rome." (Cross p.67) In 1903 when hero archetype fundamentalist Pius X became Pope, things moved from bad to worse for the counter cultural American modernist Catholics. As the contemporary cultural modernist Richard McBrian says in his book "Lives of the Popes," Although Pius X was canonized a saint in 1954, his Pontificate stands as one of the most controversial in the modern Papacy. He assumed a negatively critical posture toward modern democratic governments and led a sometimes cruel and internecine campaign against Cathoilic theologians, biblical scholars, and historians ( lumping them all under the umbrella of mdernism)." (McBrian p.105) In 1907, as a result of the anti-Americanist and anti-modernist campaign, the old modernist "Gibbons found himself in the uncomfortable position of appearing to force the resignation of a scholar who, in full conscience and with priestly humlity, could not accept the decision of the biblical commission that Moses must be held to have been the main and inspired author of the Pentateuch." (Cross p.107) However, even though the modernists were under the gun through much of the spirital, cultural, and actual wars of the 3rdGA 1893-1946, their cause became cultural during the New Frontier High ca. 1946-1968. And as we already said this modernist victory would be archetypified in the election of John Kennedy, Pontificate of John XXIII and convocation of Vatican II. Now, as Fogel has pointed out, the future is fundamentalism. It is highly probable that the days of the modernists Ireland, Gibbons, Keane and Weakland are numbered and that the fundamentalist days of Leo XIII, Pius X, Cardinal Ratzinger and Pope John-Paul II are just over the horizon. (more later) Copyright DMMcG