Wright is no less unsparing in describing the backgrounds of the Marines. This is a sensitive topic, with few journalists willing to look too deeply into the composition of the all-volunteer army. Wright has no such qualms. "Culturally," he writes, "these Marines would be virtually unrecognizable to their forebears in the 'Greatest Generation.' They are kids raised on hip-hop, Marilyn Manson and Jerry Springer." There are "former gangbangers, a sprinkling of born-again Christians and quite a few guys who before entering the Corps were daily dope smokers." While some joined the Marines out of prep school or turned down scholarships at universities, more than half "come from broken homes and were raised by absentee, single, working parents. Many are on more intimate terms with video games, reality TV shows and Internet porn than they are with their own parents." Together, he writes, these Marines "represent what is more or less America's first generation of disposable children."
While shocked at times at their childish behavior, Wright is also impressed by their fighters' ethos. Most seem driven by "an almost reckless desire to test themselves in the most extreme circumstances." The life they have chosen seems in many ways
a complete rejection of the hyped, consumerist American dream as it is dished out in reality TV shows and pop-song lyrics.... Their highest aspiration is self-sacrifice over self-preservation.
This sounds idealistic, but, as Wright is quick to note, "the whole point of their training is to commit the ultimate taboo: to kill. Their culture revels in this." At the end of team briefings, "Marines put their hands together and shout, 'Kill!'"
...Wright did elaborate on this in an interview he gave soon after his book appeared.[*] "For the past decade," he said,
we've been steeped in the lore of The Greatest Generation, the title of Tom Brokaw's book about the men who fought World War II, and a lot of people have developed this romanticism about that war. They tend to remember it from the Life magazine images of the sailor coming home and kissing his fiancée. They've forgotten that war is about killing. I really think it's important as a society to be reminded of this, because you now have a generation of baby boomers, a lot of whom didn't serve in Viet Nam. Many of them protested it. But now they're grown up, and as they've gotten older I think many of them have grown tired of the ambiguities and the lack of moral clarity of Viet Nam, and they've started to cling to this myth of World War II, the good war.
I never read Tom Brokaw's book, but if you go back and look at the actual greatest generation writers, people like Kurt Vonnegut—who wrote Slaughterhouse Five—and Joseph Heller, Norman Mailer, and their contemporaries, who actually fought in World War II and wrote about it, there's no romance at all. In fact, a lot of their work is very anti-war.
His book, Wright added, "goes into how soldiers kill civilians, they wound civilians." In Iraq, the shooting of civilians
was justified in the sense that there were some civilian buses that had Fedayeen fighters in them.... But when you see a little girl in pretty clothes that someone dressed her in, and she's smushed on the road with her legs cut off, you don't think, well you know there were Fedayeen nearby and this is collateral damage.
Overall, Wright said, "the problem with American society is we don't really understand what war is." The view Americans get "is too sanitized."