An interesting thread has popped up in one of my Dramaturgy classes. It comes from Nietzche and it looks at Theatre History as one which is constantly swinging between two extremes: The Dionysian and the Apollonian. The Apollonian is concerned with seeing how the world should be and presenting theatre which educates people to how the world should work, presenting an Ideal world. The theatre of the Apollonian forces would punish those who seek to disturb the social order in comedies, and seek to make tragic heros seem like they deserved what they got. The Apollonian often concerns itself with presenting and upholding ideals. The Dionysian is concerned with seeing how the world works as it is, presenting theatre which entertains and reaches for the truth of the world as it is. The Dionysian theatre seeks to have a common understanding for all man and to be able to relate and connect to a universal truth that holds true in real life for everyone. The Dionysian often concerns itself with using grand emotions.
The Apollonian of course refers to energies most often connected to the Greek god Apollo, while the Dionysian of course refers to energies most often connected to the Greek god Dionysus.
It marked me how you could split the differing types of Idealists and Saeculum along these lines:
Boomers - Consciousness Revolution - Dionysian
Missionaries - Third Great Awakening - Apollonian
Transcendentals - Second Great Awakening - Dionysian
Awakeners - First Great Awakening - Apollonian
~Chas'88
Last edited by Chas'88; 12-07-2010 at 02:56 AM.
"There have always been people who say: "The war will be over someday." I say there's no guarantee the war will ever be over. Naturally a brief intermission is conceivable. Maybe the war needs a breather, a war can even break its neck, so to speak. But the kings and emperors, not to mention the pope, will always come to its help in adversity. ON the whole, I'd say this war has very little to worry about, it'll live to a ripe old age."