I've been looking over the Harry Potter series, and it strikes me that in some ways that Generational theory could apply to the story--however not in a perfect sense:
Important events in the Wizarding World:
1897 - Grindewald and Dumbledore meet - plan to create a world order where Wizards rule over muggles "for the greater good"; argument later ensues and the plan is abandoned
1925 - Voldemort born via a Love Potion marriage
1945 - Defeat of Grindewald by Dumbledore
1966 - Voldemort begins his campaign of terror
1981 - Voldemort is stopped by Harry
1994 - Pettigrew returns to the service of Voldemort
1998 - Defeat of Voldemort
Turnings:
1897 - "Greater Good" Awakening Year
1925 - Clearly an Unraveling Year
1945 - End of External Crisis - Grindewald's War
1945 - 1966 - High
1966 - 1981 - Awakening - Conservative Pureblood Awakening & Liberal Muggleborn Awakening turns into VWI
1981 - 1993 - Unraveling - Fudge Years (he didn't serve all of them as Minister of Magic, but his policies best describe the attitude of the times)
1993 - 1998 - Internal Crisis - Wizarding Civil War
Both Grindewald and Dumbledore mark me as Idealist archetypes, especially when contrasted with Dumbledore's younger brother: Aberforth who marks me as more Nomad given his cynicism to his older brother's grand schemes, his chosen vocation as a bar tender and a man who practices illegal activities on goats.
Birth years of Albus and Aberforth: 1881 & 1884.
So:
Idealist Generation ? - 1882
Both Muriel Prewett (1890) and Merope Gaunt (1907) mark me as Nomad women-- Muriel's behavior at the wedding--going straight for the alcoholic beverages, insulting behavior, and proceeding to tell every last bit of gossip she's collected. She seems to be a stereotype from the English equivalent to the Losts (Contemptibles) and a character out of an Agatha Christie or Dorothy Sayers novel. Merope marks me more as a late wave Nomad who's fallen on desperate times and resorts to desperate measures--a modern equivalent (as stereotypical as it is) would be to think of a Gen Xer in a trailer park. Add to this, Aberforth Dumbledore (1884) and you can almost neatly define this Generation's years:
Nomad Generation - 1883 - 1907
We only get two examples of a Civic generation as far as this early Generation goes: Walburga Black (1925) --Sirius Black's mother--and Minerva McGonagall (1926). They clearly show the differing natures between the latter end of this Civic generation: Minerva faithfully follows Dumbledore's command as any Headmistress would do, but she also does it with a manner of attending to the rules and abiding by Dumbledore's Idealism rather than questioning it. Similarly, Walburga Black displays the conservative strain of this Civic generation in how she adheres to the old rules and traditions set forth by prior family members. She disinherits her rebellious late wave Idealist son (Sirius) and erases all those who don't fit the bill of purity from the family tree.
Civic Generation - 1908 - 1926
We only get one definite example of an Artist generation for this early generation. Although Cornelius Fudge would most likely fit into this generation, we don't know his birth year for certain. Hagrid (1928) is like most Artist children-- intermixed progeny. In the Great Powers Saeculum this would be the stereotypical mixed religions child; while in the Millennial Saeculum this would be the African-American/Anglo child. He's also had to suffer for his heritage, since it wasn't an acceptable mix (Wizard/Giant). The reason I end this generation at 1942 is the impact the Grindewald War would have had on toddlers in such a small community as the Wizarding community.
Artist Generation - 1927 - 1942
Molly Weasley - October 30th, 1949 (Scorpio) - Idealist
Arthur Weasley - February 6th, 1950 (Aquarius) - Idealist
Rita Skeeter - 1951 - Idealist
Bellatrix Lestrange - 1951 - Idealist
Andromeda Tonks - 1953 - Idealist
Narcissa Malfoy - 1955 - Idealist
Bertha Jorkins - 1956 - Idealist/Nomad
Sirius Black - 1959 - Idealist/Nomad
The above are the examples of the following Idealist Generation which occurred during the Muggleborn Awakening. This generation split into two factions concerning the ideal of Muggleborn acceptance: Conservative Purebloods who joined Voldemort in leading a Year of Awakening style revolution, and Liberal Muggle lovers who joined Dumbledore in supporting the rights for Muggleborns & Humanesque Creatures. Rita Skeeter, while not fitting the typical profile of an Idealist--except maybe for one that's sold out to the media like the woman in the movie Network--she works in that she's more of a 3T type of Idealist, stirring up the fault lines of what splits the Wizarding community apart. The fact that Voldemort turned the Awakening into a war, sped up the Generational shift and pulled the latter Idealists into a possible Wizarding equivalent of Generation Jones.
Idealist Generation - 1943 - 1959
Peter Pettigrew - 1959/1960 - Nomad
Severus Snape - January 9th, 1960 (Capricorn) - Nomad
James Potter - March 27, 1960 (Aries) - Nomad
Remus Lupin - March 10th, 1960 (Pisces) - Nomad
Regulus Black - 1961 - Nomad
Bartemius Crouch Jr. - 1962 - Nomad
Bill Weasley - November 29th, 1971 (Sagittarius) - Nomad
Charlie Weasley - December 12th, 1973 (Sagittarius) - Nomad
Nymphadora Tonks - 1973/1974 - Nomad
Viktor Krum - 1976 - Foreign Nomad
Fleur Delacour - 1977 - Foreign Nomad
The above are examples of the Nomad Generation. The early ones born in the early 1960s would have been Idealists, but Voldemort's First War turned them into Nomads. This is best shown by the moody and cynical Severus Snape as well as Regulus Black, who starts out the war fully prepared to fight for Voldemort and his parents' causes without question. However once apart of the group and his idealism crushed, cynicism creeps in, and he dissents from Voldemort's army. This would be the effects of having an Awakening turning into an all out war, which all in this Generation felt in some form or another. The later examples mark me as the typical Nomadic wild characters you would find enjoying an Unraveling. I included Viktor and Fleur to show how this generation extends in foreign countries, but not so much in England.
Nomad Generation - 1960 - 1974
Percy Weasley - August 22nd, 1976 (Leo) - Civic
Oliver Wood - 1976 - Civic
Cedric Diggory - 1977 - Civic
Katie Bell - 1978 - Civic
Fred Weasley - April 1st, 1978 (Aries) - Civic
George Weasley - April 1st, 1978 (Aries) - Civic
Cho Chang - 1979 - Civic
Ron Weasley - March 1st, 1980 (Pisces) - Civic
Draco Malfoy - June 5th, 1980 (Gemini) - Civic
Neville Longbottom - July 30th, 1980 (Leo) - Civic
Ginny Weasley - August 11th, 1981 (Leo) - Civic
Luna Lovegood - 1981 - Civic
Colin Creevey - 1981 - Civic
The above are examples of the small and tiny Civic Generation which crops up in the Wizarding World. They are small and few, but they are the ones who are old enough to fight in the Final Battle and either die as war heroes, or live and become empowered from the experience. Typically clannish (in a Communist Scare kind of way) -- not usually accepting a fellow cohort member who doesn't conform to the norm as they do on several occasions when Harry's reputation is trashed or the few Civics who choose to follow fringe Idealist's beliefs like Luna. They parrot the beliefs of their parents that they've been instilled with as Ron Weasley and Draco Malfoy both exemplify. They are there to hear and be the most influenced by the pleas for unity and teamwork which both Dumbledore and the Sorting Hat give throughout the years, and are the most influenced by it. There is still a sense of some Nomadic mischief about them, as both Fred, George, & Ginny display. However facing Voldemort War II and fighting in the final battle changes this attitude, and turns them from Nomad/Civic cuspers to outright Civics. They also learn for themselves the idea of Civic teamwork through joining Dumbledore's Army in protest of not having proper Defense Against the Dark Arts classes. This also shows a slight dedication and inclination to learning--although in general the fringes better exemplify the stereotypical Civic Nerds or Geeks: Percy Weasley and Neville Longbottom; rather than the members of Dumbledore's Army. The empowerment of the Final Battle is best exemplified through Neville Longbottom.
Civic Generation - 1975 - 1981
Dennis Creevey - 1983 - Artist
Ted Remus Lupin - 1998 - Artist
These best show the following artist generation that comes from after the Wizarding Civil War or Voldemort War II. They comprise of those too young to fight in the battle or not present at the Final Battle (Dennis Creevey), as well as those being born and effected by the WCW/VWII-- Ted looses both of his parents to the war. Ted also represents the classic Artist first time intermingle of mixed marriages: Werewolf (unacceptable fringe) and Metamorphagus (acceptable fringe).
Artist Generation - 1982 - 1998
So put together:
? - 1882 - Idealist - Set down the ideals of how the Wizarding world should be run. Dumbledore in this case was an early fringe believer in Muggle support and Muggleborn rights. I'd compare him to the likes of Helen Keller - imagine if she had lived to today and then died.
1883 - 1907 - Nomad - 24 - Felt the effects of Grindewald's use of the Elder Wand and/or fell on hard times after a brief period of prosperity
1908 - 1926 - Civic - 17 - Fought in Grindewald's War
1927 - 1942 - Artist - 15 - Were effected by Grindewald's War
1943 - 1959 - Idealist - 16 - Either Pureblood Maniacs or Muggle Lovers
1960 - 1974 - Nomad - 14 - Fought in VWI or felt the effects of it.
1975 - 1981 - Civic - 6 - Were able to fight in the Final Battle and become Empowered by it to reform the Wizarding World thereafter
1982 - 1998 - Artist - 16 - Unable to fight in the Final Battle, or were born and highly effected by the battle
Except for the six year Civic generation. All of the Generations after 1910 are around a 15/16 year length. This probably stems from the fact that the time a Wizard/Witch is considered an adult is 17.
Compare to actual English Generations:
Ecumenical (Prophet) – 1870 – 1886
Contemptible (Nomad) – 1887 – 1905
Victory (Hero) – 1906 – 1927
Air Raid (Artist) – 1928 – 1945
Mod (Prophet) – 1946 – 1965
Hooligan (Nomad) – 1966 – 1987
Millennial (Hero) – 1988 -
Now you may be wondering why I'm not including Harry, Hermione, and most importantly Voldemort in my considerations on how to label the different Generations. The fact of the matter is, they were raised in the Muggle world, and although the Generational alignment in the Wizarding World doesn't start going haywire until the 1960s & 1970s, they were raised and have influences more from the Muggle world to begin with. Either that or the author altered the characters to fit her story or ideas.
Harry's upbringing for example is a stereotypical Nomad childhood in which he is emotionally neglected. He never leaves this mindset, even after he gets the Nomad's fantasy come true: (escape from the neglectful society). Once in the Wizarding society, he is believed and accosted and has to undergo several periods where he is rejected by his clannish Civic generational peers throughout the series. Harry thus is effectively a Nomad who continues being a Nomad once he has entered into
Hermione is an authorial caricature of herself. Rowling is a late Idealist, and Hermione reflects this in the author's self-parody of herself. Hermione neither relates with the Muggle Nomad generation she would have belonged to (expect perhaps in regards to the ease in which she cuts all ties from her Muggle parents and how easily disposable they are to her--with her often choosing her friends over her family.) Her Idealist qualities are best exemplified by her dedication to House-Elf reform and liberation. Now while she does react to these ideals by going about organizing groups like S.P.E.W. as well as the passing around pins. She also takes to organizing the case for Buckbeak's trial for Hagrid. These Civic-like actions never take off the ground and aren't as popularly supported by either her friends, her peers, or even the House-Elves themselves. When these methods fail she attempts to begin a rebellion through the House-Elf community by knitting hats and "setting House-Elves free" by tricking them into taking clothes--which backfires. These manners also come from a disconnect with her muggle upbringing and the wizarding world she finds herself in. While in the muggle world this would be the way to garner support for a cause, these are clearly the wrong tactics for the Wizarding world and the wrong way to approach the culture. In the end more parallels could be made to John Brown and Hermione.
Voldemort is an authorial allusion to Adolf Hitler and has the uncharacteristic Nomad-like background inserted into the books' history to support this.
~Chas'88