"
He had never sought the approval of officialdom. In this sense he was the odd man out in the golden quartet of Augustan writers. Livy's
History, in 142 books, had Rome's greatness as its unswerving theme. Virgil's
Aeneid, a patriotic epic, climaxed in the birth of Rome and its rebirth under Augustus. Even the hedonistic and satirical Horace reflected, in his
Odes, the great pageant of the Roman story. These were, in the highest sense, the Augustan apologists. Rome's mission had been their inspiration and they lifted Latin to parity with Greek as the supreme languages of civilized mankind. All three were, however, older than Ovid.
Theirs was the civil war generation, which had longed for peace and prized the blessings it brought.
Ovid's was the post-war generation, which took peace for granted and had heard enough of valiant deeds. Understandably, he turned toward less patriotic themes, unrelated to public events. His commitment was total but it was to poetry itself, not to a regime, however glorious. It is of course clear to us that, far from being contrary to the glory of the Augustan Age, Ovid's achievement was a proud part of it; and that his deviations from orthodoxy were refreshing as well as harmless."